Where Can You Purchase a Great Walkie Talkie?

If you’re planning a family outing where you’ll camp for several days, or if you’re headed for an amusement packed backpacking expedition with friends, you might want to know where to buy walkie talkie communication systems. These gadgets are very small in size, and you can go with them wherever you want to as most of them weigh less than half a pound and you can hardly feel burdened by them as you hike.

Additionally, they come in very handy in regions where cell phones cannot dare venture. Some top quality walkie talkies can provide a huge array of features such as weather alerts as well as SOS signals. 2wayradionline.co.uk has all kinds of two-way radios including the newest types that come with better-quality frequency options as well as radio ranges.

Types of two-way radios

Bearing in mind that there’s a myriad of two-way radio systems available in the market, arguably the most important question to ask yourself if you want to buy a walkie talkie is: what’s the best choice? However, this isn’t a very hard decision once you understand where and how you’ll use it. Firstly, you’ll need to pick either of the two main kinds of two-way radios, which are family or consumer walkie talkies and professional business walkie talkies .

Within both kinds, you would also want to decide whether a radio system with licensed or unlicensed band is most suitable for you. On the one hand, licensed radios come with powerful 5W frequency transmissions and a wider coverage range. However, you’ll have to be contented with a frequency fee. On the other hand, unlicensed band walkie talkies attract no fees, but they’re comparatively low in power plus a limited range that’s only suitable for casual users.

You would also want to decide between an analogue and a digital walkie talkie. Some businesses search for radio systems that can operate suitably in risky highly explosive environments. Radios with ATEX certification are highly recommended in such areas. You can find all these kinds of walkie talkies and more at 2wayradionline

VHF or UHF walkie talkies?

An important consideration when looking to buy walkie talkie is keeping in mind that Ultra High Frequency (UHF) radios will be your best purchase in most cases. Essentially, a UHF radio can never send or receive communication to a Very High Frequency (VHF) radio. As such, if you have some walkie talkies and you’re only looking to add some more units to be used with what you already have, go for the same band.

VHF radios can provide more coverage with less power, but they only function well when there’s little interference between the sender and the receiver. UHF walkie talkies function best with most users since they have shorter waves and can penetrate or get around areas of interference such as hilly areas, thickly wooded areas, in buildings as well as in urban outdoor settings. If you’ll use your radios strictly indoors or if it’s a combination of indoors and outdoors, then UHF is the best choice. You can choose from some of the best VHF and UHF two-way radios at 2wayradionline.co.uk

In Ear Monitor Buyer’s Guide: Custom vs. Generic Fit

It is understood that ear moulded plugs are far more comfortable and effective than the mushroom plugs, but which ones are the best? The Custom fit or generic fit. This article runs over the positives and negatives of that question and comes to a conclusion, if your debating to get some moulded ear plugs or some from the shelf, you will want to read this first.

Over the past 20 years, In Ear Monitors (or IEMs) have become a near-necessity for live performance.

In years prior, engineers would inevitably have to crank up a venue’s stage monitors loud enough for the musicians to hear themselves over the audience, over the sound coming from the stage, and over the main mix.

This would often lead to an arms race of ever-increasing stage volume, potentially causing feedback issues and compromises in clarity and quality for the live mix.

Custom in-ear monitors from JH Audio, one of the first commercial brands to make a name for itself in the IEM market.

With the advent of in-ear monitors, all this began to change. In the mid-1980s, Etymotic developed the first-ever insert-style earphones, and soon after, a designer named Marty Garcia began making one-off custom in-ears for rock stars like Todd Rundgren.

By 1995, Jerry Harvey, founder of Ultimate Earsand JH Audio, brought some of the first commercially-available dual-driver IEMs to market. All of a sudden, everyday musicians had an option that allowed us to save our hearing, get better monitor mixes, and dramatically reduce the chances of feedback onstage.

Today, IEMs are increasingly being considered useful tools for the studio as well. Their ability to prevent sound leakage can be of tremendous value in helping to control click and instrument bleed, and in saving musicians’ hearing by allowing them to monitor at lower levels.

Some musicians and engineers, such as drummer Rich Pagano of The Fab Faux, will use IEMs to quickly check for phase when mic’ing up a drum kit, while others turn to IEMs as a kind of audio microscope, using them to help check for and remove extraneous low-level noise.

Any modern musician would be wise to consider adding in-ear monitors to their toolkit. But is it worth it to dish out the extra money on custom fit IEMs, instead of saving some money with the generic fit ones?

In testing a variety of in-ear monitors from brands like Westone, Ultimate Ears, Future Sonics, and even Skullcandy (that last of which is not recommended for professional use), I have found that there are cases in which generic fit earphones may work better than their custom counterparts. Making the right decision for your needs comes down to considering the following four factors:

1) Cost

Ultimate Ears custom fit in-ear monitors.

Custom fit IEMs tend to cost more than generic fit ones, as it takes more time and effort for the manufacturer to craft a product designed specifically for the unique anatomy of your ear.

Getting custom IEMs made also requires that you go to an audiologist to make a mold of your ear canal that the IEM company can then use to make your monitors fit as well as possible.

Take note of both of these costs, which can range from $100-$200 or more for a fitting from an audiologist, and $299-$1499 or more for the custom monitors to be made.

2) Comfort & Seal

Custom fit IEMs are custom, so they should feel really comfortable, right?  Well, yes and no.

In my experience, custom fit IEMs can feel a little tight in the ear canal compared to generics, especially at first. Hearing so little acoustic feedback from your performance can also take some getting used to, and the tight seal of custom fit in-ears can feel particularly awkward when signing.

Because of this, my looser-fitting Westone 3 generic IEMs actually feel more comfortable to me on vocal duties, so I often find myself using them over my custom fit Future Sonics when I step up to the mic.

Matt Bellamy from Muse (recently featured in Get THAT Guitar Tone) has been seen using both customUltimate Ears UE-11s and generic-fit Westone UM2s when on tour, and my guess is that he has similar reasons.

Though the tight fit of custom IEMs and lack of acoustic feedback from your performance can be a challenge, it’s worth noting that generic foam-tip IEMs also provide their own tradeoffs: The looser fit of generics can sometimes create a bit of a tingling or “tickling” feeling in your ear when playing at higher volumes, so it may be useful to have a pair of each and go with what feels best depending on the date and venue.

Silicone-based Encore Studio custom IEMs from ACS.

Another option here is the custom fit brandACS, which makes its IEMs out of soft silicone shells.

This softer silicone-based design is meant to offer both better comfort and a tighter fit than the hard acrylic shells used by brands like Westone and Ultimate Ears.

Though these silicone monitors sell for a premium price of $400-$1,200 and up, they may help bridge the gap between the tight seal of custom acrylics and the looser and easier fit of foam-tipped generic IEMs.

3) Hearing Protection

In addition to cutting down on sound leakage to help improve sound quality and reduce feedback, another primary benefit of IEMs is that they can offer considerable hearing protection by helping to block out exterior noise, allowing you to monitor at lower levels.

Some of the best custom fit brands like JH Audio and Ultimate Ears offer NRR ratings of 26dB in reduction, and some of the better generic brands advertise comparable results as well. (Though your results with generics may vary depending on the fit and seal in your ear.)

In the long term, reducing the levels you’re regularly exposed to—even by a few extra decibels—could mean the difference between a long and illustrious career as a “golden-eared” audio engineer and potentialtinnitus and irreversible hearing loss.

Also worth checking out is the REV33 system, which can be added on to your your in-ear-monitoring system to help reduce distortion and ear strain. Many live musicians, including Phil X and Steve Salas swear by the system. According to the company:

“All in-ear monitors and headphones generate damaging, unwanted noise and distortion that forces the ear to shut down and compress for protection. The REV33 reduces the symptoms of tinnitus, ear-ringing, ear-fatigue, buzzing and dampened hearing by preventing in-ear monitors and headphones from producing this unwanted noise and distortion.”

4) Waiting and Time Considerations

After getting my first pair of IEM’s made, I found that the right ear monitor turned out well, but I was not getting a proper seal in the left ear at first. This made the monitors essentially useless for my live sound needs at the time, and so I had to send them back for some tweaking.

When I got them back a couple of weeks later, the seal still wasn’t great, so I had to send them back once again for further modification, and visit my audiologist a second time to take another impression of my ear canal to send in.

Getting the perfect fit turned out to be quite a time-consuming process (as well as an expensive one) so unless you’re on the hunt for a long-term solution with as much acoustic isolation as humanly possible, you might satisfice with generic IEMs, or keep some around as an alternate option.

In that case, I would recommend the generic in-ears from Ultimate Ears, Shure, or Westone.

Ultimate Ears’ generic fit UE900 model sports 4 drivers for $400.

The Ultimate Ears UE900’s are a great sounding 4-driver IEM that only costs $399, while the $99 Shure SE215 single-driver IEMs advertise an astonishing 37dB of noise reduction (more than most custom IEMs) at a great price.

My own triple-driver Westone 3’s (since replaced by the W30 model) are the most comfortable in ear monitors I own right now, and they isolate a lot more noise than most thanks to their foam-tip construction.

Compared to custom in-ears, any of these model can potentially save you time and money, or work as a welcome supplement for those times when the tight fit of custom in-ears feels irksome.

I hope my experiences here help you make the right decision when you go to buy your own IEMs. In short, I found that less-expensive generic foam-tipped IEMs worked better for me in many situations, and the savings enabled me to spend my money on better drivers with a fuller sound.

If you’ve used IEM’s in the past, let us know in the comments below whether you prefer custom fits or generic fit ones, and why.

Musician sues Royal Opera House over ruined hearing

It is quite a common thing that musicians and artists that are exposed to loud noise, will eventually suffer from hearing damage. We have seen many artists suffer from this career threatening damage, the likes of Phil Collins, Eric Clapton and Ozzy Osbourne and the tinnitus that is effecting Chris Martin from Coldplay, this is a problem that many more will be affected by. This article from the BBC talks about Chris Goldscheider and his pursuit of damages over his hearing damage. Rightly or wrongly it’s an interesting tale.

A renowned viola player is suing the Royal Opera House for ruining his hearing and his career during rehearsals of Wagner’s Die Walkure.

Chris Goldscheider claims his hearing was irreversibly damaged by brass instruments put immediately behind him.

The Musicians’ Union says hearing damage is a major problem for musicians playing in orchestras.

The Royal Opera House denies it is responsible, but around a quarter of its players suffer hearing illnesses.

In court documents seen by the BBC, Goldscheider claims that in 2012 his hearing was “irreversibly damaged” during rehearsals of Richard Wagner’s thunderous Die Walkure “from brass instruments placed immediately behind him” in the famous “pit” at the Royal Opera House.

The sound peaked at around 137 decibels, which is roughly the sound of a jet engine. The court documents say the noise “created an immediate and permanent traumatic threshold shift”.

Image captionChris Goldscheider played the viola with some of the world’s greatest orchestras

Goldscheider says this amounts to “acoustic shock”, one effect of which is that the brain hugely amplifies ordinary sounds.

Music has been in most of Goldscheider’s life: “For the last quarter of a century I’ve been a professional musician. Music was my income. It was my everything,” he says.

The son of a composer, from the age of 10 he spent in excess of six hours a day practising and rehearsing. He played the viola with the Royal Liverpool Philharmonic and BBC Symphony orchestras, before joining the prestigious Royal Opera House orchestra in 2002.

Career highlights have included performing live with the famous Three Tenors to 100,000 people at the Barcelona Camp Nou football stadium, and with Kylie Minogue on MTV. He has also recorded with artists including the band 10cc.

Goldscheider says the effects of the hearing damage have been devastating.

“Ordinary sounds like banging cups and glasses together is a very painful noise,” he says.

“My newborn daughter last year was crying so much I actually got noise-induced vertigo because of my injury and I ended up in bed for three weeks.”

The musician says he has lost the career he loved and his mental health has deteriorated as he struggles to cope with the impact and effects of his hearing problems.

Life has changed dramatically. To carry out ordinary every day tasks such as preparing food, Chris has to wear ear protectors. Especially upsetting is that he had been unable to listen to his 18-year-old son Ben – one of the country’s outstanding young French horn players.

“Ben is a fantastic musician. I haven’t been able to listen to him play or practice since my injury. I’ve missed him playing concerts and winning competitions. I can’t even bear him practising in an upstairs room when I am downstairs in the house,” he says.

musician has to wear ear protectors to carry out every day tasks

At the time of his injury, Goldscheider was provided with hearing protection capable of reducing the noise by up to 28 decibels, but his lawyers claim this was insufficient. They say he was not given enough training in how to use it and protect himself, and that the noise levels should not have been so dangerously high.

The Royal Opera House does not accept the rehearsal noise caused Goldscheider’s injury, and denies that is responsible.

In a statement it told the BBC: “Mr Goldscheider’s compensation claim against the Royal Opera House is a complex medico-legal issue, which has been going on for some time and is still under investigation.

“All sides are keen to reach a resolution. The matter is now the subject of legal proceedings, and in the circumstances it wouldn’t be appropriate to comment any further at this stage.”

And according to Goldscheider’s solicitor Chris Fry, part of the Royal Opera House’s defence breaks new legal ground.

“Essentially what is being said is that the beautiful artistic output justifies damaging the hearing of the musicians performing it,” he says.

“That’s never been tested by the courts. We don’t think the court is likely to uphold that, in particular where it’s clear steps could be taken to maintain the beautiful sound and protect hearing at the same time.”

he Royal Opera House denies it is responsible for Chris Goldscheider’s hearing issue

Hearing damage suffered by rock musicians is well documented. Years ago The Who’s Pete Townsend went public about his hearing loss and famously said a doctor had told him: “You’re not actually going deaf, but I’d advise you to learn to lip read.”

Brian Johnson of AC/DC and Ozzy Osborne have also been affected. But what is far less well known is that it is a significant problem in the more sedate and sophisticated world of classical music.

There are around 100 players in the orchestra at the Royal Opera House. The BBC has learnt more than a quarter report occasional or mild hearing illness, and that in the 2013/14 season, there were seven cases of sickness absence related to noise problems and a total of 117 weeks of sick leave taken. That’s not music to anyone’s ears.

Morris Stemp of the Musicians Union says there are many reasons for the hearing damage suffered by classical musicians.

“Conductors are allowed to ride roughshod over health and safety considerations,” he says. “They put players on the stage where they will be in harm’s way. And instruments are now louder than they ever were before because of the materials they are now made from.”

Add to that the increased number of live concerts prompted in part by the drop in income from CD sales, and there is a mix of elements that can put the hearing of orchestra players at serious risk.

Chris Goldscheider’s case casts light on a little known or discussed problem, and will be watched closely by all those in the classical music world.

 

Farewell, Faithful Steed: Veteran Actor (and Sometime Fashion Icon) Patrick Macnee Dies, Aged 93

Patrick Macnee, the actor best known for his work on TVs The Avengers has passed away. He was 93 years old.

Macnee was born in London, England in 1922. His father trained racehorses and was noted for his keen fashion sense, whilst his mother was a niece of the Earl of Huntingdon (which may even have made Patrick a descendent of Robin Hood!). However, such privileged beginnings proved to be only deceptively comfortable for the young Macnee, who saw his father drink and gamble away the family fortune, before leaving the country for India, while Macnee lived with his mother and her Lesbian lover Uncle Evelyn Spottswood. The pair attempted to dress the young boy up as a girl, but settled for a kilt instead, which was how Macnee was dressed every day until he was eleven years old.

Spottswood paid for Macnees schooling, which included boarding school from the age of five, a preparatory school (where he acted alongside a young Christopher Lee in a production of Shakespeares Henry V) and ultimately a spell at Eton, where he joined the schools dramatic society. Eventually however, Macnee was quietly expelled from the school after he instigated a gambling ring and was then caught selling erotic photography and whiskey to his fellow pupils.

By this time though, he had already been bitten by the acting bug and so decided to pursue a career in the performing arts.

Before he could make his West End debut, the young actor was called up for National Service. It was 1942 and World War 2 was in full swing. He began his military career in the Navy as an ordinary seaman, before progressing to sub-lieutenant. Fortunately, a nasty bout of bronchitis caused Macnee to miss the D-Day landings, where the ship he was serving aboard was destroyed and the entire crew killed. He was ashamed of not being present at the battle for the rest of his life. Macnee was demobilized in 1946 with the final rank of lieutenant.

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Patrick Macnee learned his craft via a number of small roles, appearing in The Life and Death of colonel Blimp in 1943 and portraying a Spear Carrier in Lawrence Oliviers 1948 production of Hamlet (alongside an uncredited Christopher Lee), amongst other assorted roles. However, as the years passed and his big break failed to arrive, Macnee became depressed and frustrated by his lack of progress.

Eventually, he decided to leave the United Kingdom for Canada, making the difficult decision to leave his wife and two children behind in the process. He arrived in Toronto with just £10 in his pocket. In Canada, Macnees eccentric Englishness made him a genuine novelty and his career began to pick up somewhat. He explored producing and, as an actor, appeared in over 30 televised plays, before finally hearing about a new television series in development called The Avengers.

In The Avengers, Macnee played the unflappable British secret agent John Steed from 1961 to 1969, before reprising the role for 1976 – 77s The New Avengers. Both the series and the character would become an iconic part of British popular culture, creating a legacy that endures to this day. The show made Macnee an international star and proved to be his finest hour as an actor.

The character of John Steed first appeared in The Avengers pilot episode Hot Snow (1961). Here, he was depicted as being an assistant to Dr. David Keel. When Ian Hendry, who had played Dr. Keel, quit the show later that year, Steed became the central character and was partnered with a series of crime fighting accomplices, namely Dr. Martin King (Jon Rollason), Venus Smith (Julie Stevens) and finally Cathy Gale (played by future Bond girl Honor Blackman).

As the series progressed, Macnee extensively re-designed Steeds wardrobe, furnishing his character with the now iconic look of bowler hat, Saville Row suit and gentlemans umbrella. Of course, these garments came to be tricked out with various spy gadgets as the series went on.

It was Steeds debonair, quintessentially British wardrobe that helped the show to become so successful both at home and overseas. In fact, the clothes were so iconic that in France The Avengers is known as Chapeau Melon et Bottes de Cuir – Bowler Hat and Leather Boots.

Macnee also decided early on that Steed should never carry a gun. In later interviews he stated that he was sick of firearms after experiencing “a war in which Id seen most of my friends blown to pieces”.

Besides, a pimped-out brolly is waaaaay cooler.

In 1965, Steed was paired with his most iconic partner (and best, but Im biased since she was my childhood crush) Mrs. Emma Peel. Portrayed by Diana Rigg, Mrs. Peel (designed to have man appeal – hence the name) was smart, self-assured and supremely confident. In a unique twist, Peel often acted as Steeds muscle, being by far the more physical of the two characters. Although he frequently rescued her from harm, their relationship was truly a partnership of equals, making Mrs. Peel, secret agent, martial artist and chemistry genius, a genuine pioneer among female heroines. Macnee was always proud of the strong, positive female characters that were so prominently featured in The Avengers.

Rigg left the series in 1968 and promptly followed her predecessor into the James Bond franchise, while Macnee was partnered with Linda Thorsons Tara King until the series demise a year later in 1969.

ITV revived the Avengers concept in 1976 and Macnee starred alongside Joanna Lumley (Purdy) and Gareth Hunt (Gambit). The show ran for two series, but, despite a positive reception, was scrapped in 1977 due to financial problems.

Away from The Avengers, Macnee appeared in the James Bond film A View to a Kill (1985) and the classic Rock n Roll mocumentary This Is Spinal Tap (1984), where he portrayed Sir Dennis Eton-Hogg, the somewhat sanctimonious president of Taps record company. He also played Dr. George Waggner in 1981s cult favourite The Howling.

In 1998, Hollywood made a disastrous attempt to revive The Avengers. The movie starred Ralph Fiennes, Uma Thurman and Sean Connery and Patrick leant his support in the form of a voice cameo. However, without the twinkle, wit and class of the original John Steed, the idea was doomed to failure.

Finding himself in the enviable position of being a pop culture icon, Macnee was asked to appear in music videos for The Pretenders and Oasis amongst others. He also contributed vocals to a novelty single Kinky Boots with Honor Blackman that was issued three times, the first in 1964, the second in 1983 and the third in 1990, where it eventually became a top 3 hit.

As a television actor, Macnee appeared in such memorable shows as The Twilight Zone, Rawhide, Colombo, Frasier, Battlestar Galactica, Murder, She Wrote, The Love Boat, Magnum P.I, Diagnosis Murder, The Littlest Hobo, Alfred Hitchcock Presents and many others. He even played Dr. Watson alongside Christopher Lees Sherlock Holmes.

In later life, Macnee became a nudist. After an infancy spent in a dress, a childhood in a kilt and an adulthood in the finest suits money can buy, why not spend an old age in the nip? For a style icon that brought the suave and stylish John Steed to life with effortless grace, charm and virility, one supposes that it must have felt like the next logical step.

R.I.P Patrick, you will be sorely missed.

Public Safety Radio Network encounters Capacity Challenges during Brussels Bombings

This article is from the well trusted tetra-applications.com website This story is about the Belgian tetra system, called ASTRID, running close to full capacity during one of the biggest disaster events that Belgium has seen. The system had a few stuttering moments, but with the unpredictable surge in traffic after the event, this is to be expected. To learn more read below and see what they are planning to do…..

During last week bombings, ASTRID, the Belgian Public Safety TETRA network encountered a huge increase of traffic which resulted in a temporarily capacity problem.

ASTRID, the TETRA radio communications network in Belgium, used by the security forces, has not functioned as desired, after the attacks of last week Tuesday, several media announced. Also the GSM network was down and therefore in some cases WhatsApp had to be used by the security forces.

Commissioner General Catherine De Bolle has requested an investigation. Several media mentioned that for many hours the system would not have worked. Therefore, the rescue operations of the police at the airport were much more difficult and more chaotic than it should be. Spokesman Peter Dewaele of the federal police admits that some things did not run as planned.

Astrid responds

“After analyzing the situation, Astrid requested all user organizations to sit around the table in order to examine the communication after the attacks of 22 March. Meanwhile, concrete action and specific recommendations were specified,”

According to ASTRID, the exceptional nature of the emergency caused that some masts of the radio network could not be reached for a short period of time, because of the enormous increased traffic. Therefore communication was not possible, Astrid announced.

“From across the country emergency and security services were asked to provide assistance, which led to an extraordinary radio traffic. On specific requests of many of these organizations Astrid registered hundreds of extra radios to the network. Also the failure commercial mobile phone networks has led to a significant increase in radio traffic.”

“Not flat, or capacity”

Astrid points out that the control rooms/emergency centers were particularly busy in Brussels and Flemish Brabant, but they continue to function properly. Also the alarm system for calling the volunteer fire brigade received extra traffic, but the system worked without any problem. Astrid also installed a mobile-transmission tower in order to strengthen the radio network in the Brussels area.

On a nationwide level, the radio network was still operational, but especially in the Brussels region there were severe capacity challenges,” Astrid notes. “Shortly after the attacks the nearby Astrid masts reached their maximum output, which resulted in difficult communication during some crucial hours. Some users had no access to their talk groups.”

“On Friday March 25th we discussed the situation with the End User Advisory Committee. Concrete action points and recommendations for the use of the radio network and training were determined,” concludes Astrid.

How to communicate on the two way Radio

It is a wise idea to consider learning www.2wayradionline.co.uk . By so doing, one is able to improve their experience in using a radio in communication. Over the years, a number of rules have been put in place to ensure that radio communications proceed more efficiently. These rules can be generalized as the etiquette for using two-way radios. Here are a few radio etiquette that should be considered when using a two-way radio:

Radio Etiquette Rules

It is important to bear in mind that English is the internationally recognized radio language. Users should ensure that they speak English when communicating with a two-way radio. However, there are exceptional cases where a user might be licensed to use other languages in radio communications.

It is not good etiquette to speak and listen to the person on the receiving end without allowing them time to finish what they are saying. This means that it is important to take turns when communicating with a radio. This is unlike the normal phone communication.

It is not good to interrupt someone. Rather, it is important to listen without interrupting other people. However, the only exception where one is allowed to interrupt is when they have some emergency information they would like to convey.

It is advisable not to respond to calls that one is not sure about. In such situations, it is wise to wait for call signs that confirm whose call it is before making any response.

It is wise not to ever transmit military, confidential, sensitive or financial information via a radio call. This is because radio communications can be tapped and be heard by the wrong recipients. Unless one is sure that their conversation is properly secured with high level encryption software, sensitive information should never be transmitted via a radio.

One should always perform checks on their radio to confirm that they are working properly. One should ensure that their radio battery is fully charged and its power is on. The volumes should at all time high. This will allow one to follow the conversation without strain. Additionally, one should ensure that they are within a range that can receive radio signals.

It is prudent to remember and memorize call locations and signs of radio stations and persons that one regularly communicates with. This is because name calling is discouraged in radio communications. People use call signs that are unique to everybody.

One should at all time think before speaking. This implies that one should not just say anything that comes in their mind but should carefully decide what to say. Communications should always be kept clear and precise. Additionally, one should not use complex sentences. Similarly, one should consider dividing long messages into shorter, separate messages for easy understanding. Abbreviations should at all times be avoided unless the receiving end understands the message.

Conclusion

When using a radio in communication, one should ensure that the voice is clear. It is wise to speak slowly and avoid shouting for clarity purposes. Radio messages should be kept simple, precise, and to the point. This allows brevity and simplicity in the entire conversation. As stated earlier, it is advisable to avoid radio transmission of confidential information for security purposes.

Motorola completes £700 million acquisition of UK emergency comms provider Airwave

Motorola has completed its acquisition of Airwave, the former provider of the mobile communications network for UK emergency services.

The acquisition was completed on a debt-free basis with a net cash payment of around £700 million, with a deferred cash payment of £64 million to be made in November 2018.

Motorola expects the acquisition to immediately contribute to non-GAAP earnings and free cash flow.

Airwave is headquartered in Berkshire, England, and employs roughly 600 people. It is owned by a fund of Australia’s Macquarie Group.

In late 2015, Airwave filed a legal challenge to the Home Office after EE became the preferred supplier to provide a 4G network to the UK emergency services. Motorola is the preferred bidder for user services to the emergency services.

Airwave complained about the procurement process and the inability of the cellular network to handle the traffic. Currently these services are provided through Airwave’s own terrestrial trunked radio, or Tetra network, which will cease to be a component of police radios.

The decision to move from Tetra has been criticised by some, including members of the Tetra + Critical Communications Association.

Advocates of moving to 4G cite alleged failures of the network during the 2011 riots.

“The acquisition of Airwave enables us to significantly grow our managed and support services business and reflects our commitment to the public safety users in Great Britain,” said Greg Brown, chairman and CEO of Motorola Solutions.

“The combination of our years of experience as a trusted global leader in mission-critical communications and Airwave’s proven service delivery platform will provide Great Britain with innovative emergency services technology that enhances public safety today and into the future.”

This has been in the news for a while and it is a really smart move by Motorola, they have purchased the company that run all the communications for all the UK’s emergency services (tetra network) and manage all of the infrastructure along with that, so with the up-coming contract renewal and many of the phone companies sniffing around looking to capitalise, Motorola have shored up their position with this acquisition. We found this article here, where you can find a lot more on the story throughout the site.

ETRI presents a blueprint of the 5G Future

We will see a huge change in the way we access the the internet in the future when 5G is here, at speeds that only big businesses and high level internet companies see at the moment, we will have this to hand on our smart phones and tablets. When 5G is hundreds of times faster than any of the UK’s broadbands, households will be looking to the mobile phone companies to supply their home broadband.

A 5G future is no longer a distant one, but an upcoming reality. High quality videos of more than 10Mbps can be served simultaneously to 100 users even in a train running at up to 500km/h. People can experience data rates that are 100 times faster than currently available technologies.

The Electronics and Telecommunications Research Institute (ETRI) of Korea will hold a “5G technology demonstration” on the 18th December, 2015. It will demonstrate future SNS (social network service) and several 5G core technologies such as “millimeter wave”, “Mobile Hot-spot Network”, “in-band full duplex” and so on.

5G is the next generation wireless technology that would provide even faster data rates, even lower delays, and even more devices connected than 4G. Accordingly, distinct and differentiated applications are expected in 5G.

ETRI’s “future SNS” is a kind of trial service model to apply 5G technologies that provides dynamic user-centric connection to neighboring people, things and spaces. It is characterized by instant content-sharing between users, communication with neighboring things, and Giga-bps(Gbps)-grade video applications in vehicles.

5G core technologies demonstrated by ETRI include the following:

— MHN (Mobile Hot-spot Network) is a mobile backhaul technology that provides high-speed Internet access of Gbps in vehicles at speeds of up to 500 km/h (e.g. KTX in Korea). Almost 100 passengers can watch videos of high quality simultaneously.

— ZING is a near-field communication technology that enables mass data to be transmitted with 3.5 Gbps data rate between neighboring devices within the radius of 10cm.

— Single-RF-Chain compact MIMO technology enables a single antenna to simulate the effect of multiple antenna. It can reduce antenna volume and cancel inter-antenna interference in a multi-antenna system.

— Millimeter wave (mmWave) beam switching technology provides fast switching of radio beams to mobile users, and therefore allows seamless Gbps-grade service in mobile environments.

— Mobile Edge Platform (MEP) is a mobile edge cloud server on vehicles that enables passengers to enjoy customized Gbps-grade content and connects them with neighbors, things and spaces. It provides user-centric services.

— In-band Full Duplex technology can transmit and receive signals simultaneously over the same frequency band. It can increase spectral efficiency by up to two times.

— Small cell SW technology is designed for AP(Access Point)-sized small cell base stations that can reduce communication dead zones and improve data rates per user in a hot-spot area.

“With this demonstration event, we are officially introducing our R&D results on 5G. We will continue to lead the development of 5G technologies. Also, we are trying to develop commercialization technologies needed by businesses, and to construct a 5G ecosystem.” said Dr. Hyun Kyu Chung, vice president of ETRI Communication & Internet Lab.

In January, 2016, ETRI will demonstrate Giga internet service and future SNS in a Seoul subway train installed with MHN and ZING kiosks. ETRI will also introduce hand-over technology on a millimeter wave mobile communication system and 5G radio access technology that satisfies 1 millisecond radio latency.

About ETRI

Established in 1976, ETRI is a non-profit Korean government-funded research organization that has been at the forefront of technological excellence for about 40 years. In the 1980s, ETRI developed TDX (Time Division Exchange) and 4M DRAM. In the 1990s, ETRI commercialized CDMA (Code Division Multiple Access) for the first time in the world. In the 2000s, ETRI developed Terrestrial DMB, WiBro, and LTE-A, which became the foundation of mobile communications.

Recently, as a global ICT leader, ETRI has been advancing communication and convergence by developing Ship Area Network technology, Genie Talk (world class portable automatic interpretation; Korean-English/Japanese/Chinese), and automated valet parking technology. As of 2015, ETRI has about 2,000 employees where about 1,800 of them are researchers.

Faulty communications along U.S.-Mexico border are America’s blind spot

We all know that mission critical communications are vital 24 hours a day and as this article shows that even a tiny lapse in communications can lead to chaos. Even the U.S government can’t keep their radio communications up-to-date on one of the most watched borders in the world, as we can see from the article below.

Put yourself in the shoes of a U.S. Border Patrol Agent. You are patrolling the U.S.-Mexico border, driving through desolate terrain, and in the distance, you spot movement. You head toward a deep ravine and step out of your vehicle when a shot rings out and you hear the zip of a bullet speeding past your head. With training and instinct, you dive for cover and draw your weapon, reaching for your handheld radio.

And the radio doesn’t work.

There’s no one to call, because you are in one of the many areas of the southern U.S. border that has no radio coverage. Out there in the ravine is a drug cartel “rip crew,” heavily armed and firing on your position, bullets punching into your vehicle until smoke is rising from the hood. If they come closer, you are outnumbered. If they flee, your vehicle is disabled, and they will disappear into the vast emptiness along the southern border, where they will likely fire on one of your fellow agents, should they encounter them.

That is the state of communications along many of the areas on the U.S.-Mexico border. When the U.S. Border Patrol needs it the most, they cannot communicate with anyone. With rising threats and political propositions, U.S. border security has again risen to the top of the public consciousness. There are calls for more border patrol officers and stronger fencing, for aerial and ground based vehicles and other technology. But the lifeblood of the border security apparatus is communication, and in some areas, communication is not possible.

“If there is one thing in securing America’s borders that hasn’t changed since September 11, 2001, it’s the inability to resolve the communications lapses and gaps along the border,” said Ron Colburn, the former National Deputy Chief of the U.S. Border Patrol. “Here we are almost 15 years into this, and we still have not addressed this problem.”

One reason 343 New York City firefighters died when the World Trade Center buildings collapsed was that their radios could not communicate with the emergency responders outside the buildings, who were warning the structures were about to come down. The recommendations of the 9/11 Commission cited the need to create interoperable tools that allow first responders and law enforcement to communicate in the most unforgiving of environments.

And there are few environments less forgiving than the nearly 2000-miles of the U.S.-Mexico border.

Recognizing this, the Department of Homeland Security (DHS) launched a massive project to improve the communications capacity of officers along the U.S. border. It failed. In March last year, the U.S. Government Accountability Office (GAO) reported that $945 million in taxpayer funding used to build radio towers and upgrade radio equipment has yielded little benefit and in some cases does not work as well as what Border Patrol agents were using before. The effort cost too much and was taking too long.

Colburn said that the state of communications today means U.S. Border Patrol cannot call for support in some areas. They cannot feed information from the field into the intelligence food chain, and they cannot receive images from manned or unmanned vehicles to know whether they are walking into an ambush or encountering a group of friendly forces.

Likewise, Border Patrol agents cannot communicate easily with other law enforcement agencies (like a local Sheriff’s office), nor can those law enforcement agencies run on-site biometric checks (e.g., fingerprints) of individuals they suspect may have recently crossed into the United States illegally.

“I see it in the eyes and hear it in the voices of the men and women of the Border Patrol,” said Colburn. “They understand the mission and they want to accomplish it, but they feel like they have been abandoned.”

Answering the Unanswered Question

Most Americans own a smartphone, which is a powerful piece of technology. Experts say it’s hard to understand how, in this age of technological innovation and advancement, the United States is not arming its frontline officers with the very basic capacity to talk to one another.

Part of the challenge is that we have not brought new solutions to this long-standing problem.

To advance the effort, the Border Commerce and Security Council (of which I am Chairman and CEO) helped bring multiple stakeholders to the table in December last year in Cochise County, Arizona, to see if an innovative application of several integrated technologies could solve these communications challenges. It was a Proof of Concept test that included the U.S. Border Patrol, the Cochise County Sheriff’s Office and a group of businesses with tools that can address a range of communications and intelligence challenges. What was tested is called the Field Information Support Tool (FIST).

FIST started in 2006 as basic research at the Naval Postgraduate School (NPS). NPS Information Sciences Research Associate James Ehlert said in 2010 that the goal was to create “an easy-to-use, inexpensive hand-held solution to achieving communications interoperability and a common physical and human terrain operating picture for both on-the-ground field collectors and tactical decision makers.”

The research question was, how can we use modern technology to allow officers in the field to talk to one another and to their superiors while also collecting and then acting on real-time intelligence?

“The intelligence aspect is that the local and federal law enforcement officers need to look at things from a risk-management perspective,” said Brian Conroy, Business Strategy and Strategic Development Manager at NOVA Corporation, which works with Kestrel Technology Group, the company that has produced the FIST system. “They need to find the high-risk areas [along the border], and if you have a tool that collects data and runs algorithms against it, you can conduct risk assessment and trend analyses. Human intelligence contributes to a holistic common operating picture.”

This is what the FIST system achieves, and it’s what was seen during the proof of concept test. In general terms, FIST uses off-the-shelf communications tools (like an Android device) to gather intelligence from officers on the front lines. With these tools, officers feed information into a larger database compiled from a variety of sources (including other officers) that informs strategic and tactical decision making. This is then passed back to the people working along the border.

The need for this kind of tool is obvious, but it has only been recently that the right technologies and software were put together in a way that makes it possible.

Moving to the Market

Over the last year, there has been a push to transition FIST into the marketplace. Research transition is tough, as DHS has found in many cases over the years. Unlike other agencies and components, such as the military branches, the homeland security and law enforcement marketplace is heavily fragmented and with limited resources. It makes it difficult to take good, workable ideas from prototype to production. As big of a challenge as creating an innovative piece of technology is finding a way to produce it in line with operational and funding realities. A local Sheriff’s office, for example, does not have an endless amount of funding and time to bring in expensive technologies and then train deputies to use them. For that matter, neither does the U.S. Border Patrol.

What’s needed is a simpler, cheaper solution, and based on the proof of concept testing, FIST appears to be that solution.

“It’s ideal for smaller law enforcement agencies because it can unify operations and reporting and scale capability, creating a force multiplier,” said Ivan Cardenas, technical director of the Kestrel Technology Group, which is helping to bring FIST to market. “It is a sophisticated system, but it is easier to use than the complexity suggests.”

There are a few moving parts here. There are applications that allow off-the-shelf technologies to record and report intelligence, such as the location of a breach in the border fence or evidence of people moving through the rugged terrain. There are existing law enforcement and Border Patrol network capabilities (or cloud-based tools) that store that information. The secret sauce, however, is the complex digital architecture that allows real-time control and fusion of multiple information sources in a way that supports the mission. This is the one thing that has been missing from the border communications and intelligence efforts, and it’s why DHS has struggled to address the challenges to this point. The innovation is in the complexity, and FIST makes it simple.

Of course, that complex innovation is for naught if the agents in the field cannot transmit and receive intelligence. Enter SiRRAN Communications, another stakeholder at the proof of concept test in Arizona.

“We often forget that without network access, we’re blind,” said SiRRAN’s Director of Sales Mark Briggs. “Our technology brings that cell network to anywhere that it is needed.”

Briggs describes this technology as a portable, battery powered cell network—a network in a box. It creates a local, closed network that any agent within range can access to communicate and record intelligence. The unit provides local communication in areas where there is no coverage, and if there is no way to access the communications grid, it captures intelligence and transmits it to the larger repository as soon as it finds a signal.

The lesson here is not just that FIST is a workable system to satisfy the mission needs of America’s border security and law enforcement professionals. It’s also that the answer to the communications challenges along the border will not come in the form of $1 billion worth of cell towers built under DHS management. If it were, we would have solved this problem by now. The fact that we have not reveals that the ultimate solution is necessarily complex and multifaceted while also being easy to use and in-line with realistic operating budgets.

Perhaps the most important lesson, however, is that there are real tools that our Border Patrol and law enforcement officers could be using. Right now there are thousands of men and women on the border, and until we give them the tools they need to do their job, it will make border security and the safety of our frontline heroes difficult to sustain.

The Best Styles of Bluetooth Earpieces

Bluetooth technology has been designed for many different purposes and situations. Consequently, when people want to buy a bluetooth ear piece for a specific situation, there are some things that they will need to consider. Specifically, based on their specific situation and circumstances, they will need to review the best style of bluetooth earpiece that is available on the market today. Since there are different styles that have been made for for one or more reasons, it’s important for each individual to do their research to see which style can accommodate their needs. It is also important to note that the kind the person purchases must be comfortable so that they can wear them for an extended period of time and they fit the devices that they will be used for. Listed below are three of the bluetooth styles that’s currently offered by manufactures all over the United States and abroad.

Bluetooth ear pieces for Mobile Phones

Most people take their mobile phones wherever they go. To work, school, church, parties and all kinds of other events that they may attend. Because these phones have become commonplace in many environments, people have a need to handle them and talk to others when their hands are free. This is also a great reason for individuals who work in certain settings to make sure that they are buying the right style that will best fit their needs.

One specific style that some people may choose is the ear cradle style of headphone. In fact, this kind of bluetooth earpiece is idea for people who want to spend their time working out and performing all kinds of other extracurricular activities. People are also encouraged to buy this kind of style because they may be driving when they receive a telephone call from a family member. Or, they may be working at the job typing a memo or walking around taking care of wide hosts of other kinds of activities that are not conducive to holding a mobile phone by hand to the ear. Whatever the situation, this style of bluetooth earpiece technology is great for many different situations and purposes.

Bluetooth ear pieces and Headsets for Music Lovers

In addition to the cradle style for mobile phones, people should also review other styles as well. One specific style that is also functional in many different settings is the DJ over the head headphones. This style has been designed for the serious music lovers, especially those who can appreciate making distinctions in sounds and beats that come from specific musical instruments like the bass, violin, trumpet and other popular instruments. For those who like and prefer this kind, they will also find that this is one of the best styles for keeping out outside noises that normally interfere with a person’s overall entertainment experience. Also, because they are wireless, they are great for people who like to stay mobile during the day instead of remaining in a sedentary position.

Bluetooth Ear Pieces for IPODs

In some situations, people may want to use bluetooth technology with their IPODs. Therefore, they should consider buying an additional popular style bluetooth earpiece technology. This style is known to be very popular, specifically because it is similar to an actual earbud. An ear bud is also another excellent choice for people who want to remain both active and hassle free. Though this is a great choice for people who like to remain mobile in a wide variety of different situations, one of its main draw backs is that they tend to fall out of the individuals ear. Which means, they can also be lost since it lacks additional support to keep them stabilized inside the ear.

World Radio Day focuses on role of radio in disaster management

World Radio Day on 13 February brings attention to the role of radio in managing disasters and recovery in their aftermath.

Radio is recognized as a low-cost medium, specifically suited to reach remote communities and is especially effective in reaching people affected by disasters when other means of communication are disrupted. Terrestrial radio broadcasts are effective in providing timely, relevant and practical information to people who are confused and demoralised by the impact of a crisis. Broadcast information is particularly useful in situations where physical access is difficult and aid responders may take several days or weeks to reach affected communities.

Recent natural and man-made disasters are a major cause for concern to the global community. “In times of crisis and emergency, radio can be a lifeline,” said United Nations Secretary-General Ban Ki-moon. “For people in shattered societies, or caught in catastrophe, or desperately seeking news, radio brings lifesaving information. This year, as we start carrying out the Sustainable Development Goals, let us resolve to use radio for human progress. On this World Radio Day, let us resolve to prove that radio saves lives.”

“Radiocommunication is indispensable in saving lives in the event of a natural disaster,” said ITU Secretary-General Houlin Zhao. “Collaborating and sharing experiences is critical in order to support national and regional preparedness, and ITU is deeply committed to facilitating rapid and effective response in emergencies.”

“Amidst the ruins and in the face of an emergency, the radio is often the first medium for survival,” says Irina Bokova, Director-General of UNESCO. “Its durability is an incomparable advantage, often enabling it to resist shocks and re-transmit messages of protection and prevention to as many people as possible, better and faster than other media, saving lives.”

New developments in radio technology and in the transmission and delivery of radio content, especially through mobile devices and through on-demand media platforms, further extend the means to engage disaster-affected communities. These digital innovations are increasingly important in delivering effective disaster preparedness and prevention, while reinforcing the importance of community radio services.

ITU has developed a number of standards for effective emergency radiocommunications, recognizing that direct communication via radio helps reduce the sense of isolation and helplessness experienced by crisis-affected communities. Recommendation ITU-R BT.1774-2 is the standard that relates to emergency warning systems for analogue broadcasting, which facilitates the use of satellite and terrestrial broadcast infrastructures for public warning, disaster mitigation and relief.

In addition, the 2015 ITU World Radiocommunication Conference (WRC-15) identified spectrum to facilitate mobile broadband communications for robust and reliable mission-critical emergency services in public protection and disaster relief (PPDR), such as police, fire, ambulances and disaster response teams. WRC-15 also reinforced protection to search and rescue beacons to uplink to satellites, such as the Cospas-Sarsat system, which has assisted in rescuing over 37,000 people worldwide since December 2013.

World Radio Day marks the anniversary of the first broadcast by UN Radio in 1946, when it transmitted its first call sign: “This is the United Nations calling the peoples of the world.” Ever since, UN Radio broadcasts have highlighted the principles of the United Nations to foster world peace and development. World Radio Day seeks to raise awareness about the importance of radio, facilitate access to information through radio, and enhance networking among broadcasters.

– See more at: http://www.tetra-applications.com/32088/news/world-radio-day-focuses-on-role-of-radio-in-disaster-management#sthash.WRnylSLy.dpuf

SwiftKey launches symbol-based communication app for people who are non-verbal

Any technology that can improve peoples lives is always a technology that will be championed by us here, and if it is helping people with learning or speech difficulties then that is more incentive for us to bring it to our readers. This is current available on the google store for android devices and we are stating now that this should be on apple devices as soon as possible, the original article can be found on the verge website.

SwiftKey, the predictive smartphone keyboard company, wants to help people who are non-verbal communicate with others. The company launched an experimental symbol-based assistive app today called SwiftKey Symbol, which it says can be used to build sentences using images. SwiftKey staff who have family members with autism spectrum disorder came up with the idea for the tool, according to the company’s blog.

The app, which is free and available on Android, makes use of SwiftKey’s predictive technology to suggest symbols that might be used to finish a sentence. Outside factors like the time of day or the day of the week will influence these predictions, the company says. Users can also add their own images and use audio playback to read out to sentence to others.

Symbol-based communication apps like this aren’t new. Apps like Proloqui2Go and TouchChat also rely on pictograms to build sentences. But these tools can be expensive, and SwitKey says that its own take on the assistive app will be able to form sentences faster than the competition. “A lot of the current communication tools on the market are often too slow to select a particular image a child might choose,” the company wrote on its blog. “We realized that SwiftKey’s core prediction and personalization technology — which learns from each individual as they use it — would be a natural fit for people on the autistic spectrum who respond particularly well to routine-based activity.”

In the US, about two in 100 children have an autism spectrum disorder diagnosis. People with autism have varied needs, so it’s possible that this app could enhance communication for some people. We haven’t tried the app yet — but we’re eager to see what it can do.

Motorola Solutions to buy UK’s Airwave for $1.24 billion

As this article shows, Motorola move closer to sealing the deal to supply the emergency services for the whole of the UK, this move seems to prove what we have been saying, as Airwave have a working relationship with the emergency services and a good majority of the equipment they use are Motorolas’ own products they are in an excellent position now.

Walkie-talkie and radio systems maker Motorola Solutions Inc said it would buy UK-based communications company Airwave Solutions Ltd for 817.5 million pounds ($1.24 billion) to beef up its services business.

Shares of Schaumburg, Illinois-based Motorola were up 3.4 percent in extended trading on Thursday.

Airwave, owned by a fund of Australia’s Macquarie Group Ltd, provides voice and data communications to more than 300 emergency and public service agencies in Great Britain.

Motorola’s sales have slipped as its major customers, which include police and fire departments as well as other government agencies, curtail budgets.

The company is trying to strengthen its services business – which provides communication services to governments, businesses and public safety agencies – to drive growth.

Activist investor ValueAct, Motorola’s largest shareholder, said last month the company’s shares were undervalued and that it would talk to its board about ways to enhance shareholder value.

Motorola Solutions said it plans to fund the purchase of Airwave, which has about 600 employees, with bank financing and cash on hand.

The deal is expected to add to adjusted earnings and free cash flow immediately after closing in the first quarter of 2016, Motorola said.

How to Hide a Radio Earpiece

A 2 way radio earpiece is an accessory which can receive and transmit unlike the broadcast receivers which only receive content. 2 way radio earpieces allow the user to engage in conversations with other such radio earpieces that are operating on a similar radio frequency. 2 way radios are readily available in hand held, mobile and stationary base configurations. The hand held radios are usually known as walkie talkies or handie-talkies.

2 way radio systems normally operate in 1/2 duplex mode; this basically means that the user can listen or talk, but cannot do both at a go. A PTT (also known as press to transmit) button usually activates the radio’s transmitter. When the button is released, its’ receiver becomes active. For 2 way radio earpieces, a push to talk button is included on a wire that runs up the arm of the user, with an acoustic tube up to the ear.

There are 2 wires which run independently from the 2 way radio; one ends at the PTT and mic, while the other ends at the radio’s earpiece. The 2 wire kits are worn under the clothing, running one cable from the 2 way radio, up to your ear. The other cable runs from the 2 way radio, up your back and down your sleeve to the cuffs of your long sleeved shirt or clipped by a lapel on the front of your shirt. 3 wire kits separate the Mic and PTT with one cable running down the arm, connected to the PTT, another connected to the mic, with normally includes a microphone which is clipped to the jacket or shirt and the third has the acoustic tube to go into the ear.

How to Hide a Radio Earpiece

You can run the wires underneath the shirt; hiding the wires from the 2 way radio to the earpiece underneath your clothing, offering more discreetness. If you aren’t too concerned with discreetness, you can leave the wires outside of your clothing. The radio will work either way. Here are the steps on how to hide a radio earpiece;

Take the wires of the radio earpiece and run them inside your shirt. Now take the wires out from your shirt’s top; this way the wires will be well hidden. Take your earpiece and then put it in one ear. Ensure, the earpiece fits tightly and wont fall when walking, you can put the earpiece in either ear.

Once you’re comfortable with your earpiece, it is now time to fit the wires that go into the radio. Take the wire that connects the earpiece and the radio, and fit it inside the shirt. Take this wire out from your shirt’s bottom. Put it in your radio, and then clip the radio properly on your belt. Once all the wires are properly fitted inside your shirt, you can now tuck in the shirt to hide them completely.

Once everything is properly fitted, switch on your 2 way radio and test it. Now, you can use your 2 way radio earpiece covertly

The real benefit of using a hidden radio earpiece, is that other people will not notice when you’re talking on your earpiece, remember to never share radio earpieces; this is for health and sanitary purposes. You can also buy radio earpieces, along with your own personal ear tips and clear coils.

Workplace adjustments for employees with a hearing impairment

For employees with a hearing impairment, the presence of sound in the workplace can be a daily challenge and a source of frustration. Robin Christopherson looks at how employers can manage potential problems.

Wherever you work, and whatever your role, there is a strong chance that you are routinely bombarded by noise from a variety of different sources. Telephones ringing, printers whirring, music playing on the shop floor or the constant hum of colleagues talking in a open-plan office, the world of work is full of sound.

According to the Health and Safety Executive, around 17,000 employees in the UK experience deafness, ringing in the ears or other ear conditions caused by excessive noise at work.

Action on Hearing Loss estimates that at least 800,000 people in the UK are severely or profoundly deaf, but this is a small proportion of the 10 million people with some form of hearing loss, of which it estimates that 3.7 million are of working age. There are no exact figures on the numbers of people who use British Sign Language (BSL) to communicate, but the estimate is around 50,000.

An employee’s hearing can be impaired in many ways; there is a whole spectrum of

hearing ability and there are lots of different causes of hearing loss, as well as a variety of possible implications in the workplace.

Types of hearing impairment include:

  • age-related;
  • temporary or permanent;
  • progressive; and
  • environmental factors.

Impacts of a hearing impairment

As hearing is not something we can “see”, it can be difficult to determine whether or not a colleague’s hearing is impaired. This can make it difficult for line managers to know who to help, and when.

In meetings, presentations, networking events or interviews, a hearing impairment could have an impact on an employee’s ability to do their job, if they are not properly supported or if the working environment is not inclusive of their needs.

There can also often be an emotional response to hearing loss, which impacts on the social and wellbeing of the employee. If you are unable to hear what colleagues are saying clearly, you might miss out on vital information needed for your role, or you might miss the latest bit of office banter, which makes you feel isolated and excluded, having a negative impact on morale.

Reasonable adjustments

Employees with a hearing impairment are protected under the Equality Act 2010 and employers are required to remove the barriers that deaf and other disabled people experience in the workplace. There are a number of different ways to ensure that an organisation is accommodating the needs of deaf or hearing-impaired employees.

Benefits of technology

We are all using technology in the workplace, without really thinking about it, as part of our day-to-day communications. How much of the information you share with colleagues or clients is via the phone, email, your intranet, website, a PowerPoint presentation or a short video? The answer is, of course, nearly all of it.

Technology can work as an enabler as well as a disabler. A message from your organisation’s CEO via video on your corporate intranet can be a really powerful way to communicate with your workforce, but if that video does not have subtitles or captions, you are excluding a proportion of your staff, not limited to those with a hearing impairment but also people whose first language is not English.

A variety of technologies can be used in the workplace to support employees with a hearing impairment. There are some specialist programs available that are specifically designed to support people with hearing loss, but many of the mainstream programs and equipment that your organisation already uses could also be adapted at little to no cost. They include:

  • text messaging, and email;
  • amplified sound alerts built into PCs;
  • a flashing screen on a mobile device when a sound alert is triggered;
  • bluetooth to connect to hearing aids;
  • captions for videos;
  • BSL on-demand services;
  • video calling for signing or lip-reading;
  • palentypists and stenographers; and
  • voice recognition speech-to-text software.

Sometimes the most effective adjustments are made by simply utilising existing resources in a different way. For example, if important company announcements are often given over a tannoy or PA system, which would be difficult or impossible for someone with a hearing impairment to hear, you could also issue the same message via email or text message.

There are also times when specialist adjustments, such as using a palentypist or BSL interpreter, need to be arranged. It is important that the individual employee gets the adjustment that they require, when they require it – because no two people with a hearing impairment are the same.

This article highlights the many advancements that have been made in the field of hearing protection at work, and ten years after the Control of Noise at Work Regulations 2005 came into force we should have completely eradicated high levels of noise or the need to control it into the workplace, the original of this article can be found here.